Rodgers and Hart. George and Ira Gershwin. Cole Porter. Lerner and Loewe. For most people who've grown up with and shared America's musical heritage, great songs open the floodgates to memories and feelings. Perhaps nowhere is this more profound than in the world of Broadway musicals, with their iconic melodies and memorable lyrics. Revisit the standards, originally written for the stage, that have both delighted and helped mend the broken hearts of Americans for decades. These 16 delightful lectures immerse you in the world of Broadway, exploring the intricacies of musical composition and song construction-and how they were used to create specific effects - as well as the social and historical backdrop against which musical theater must be considered. Much as we often concentrate on the so-called "golden age" of the 1950s, American musical theater spans the history of two vibrant centuries: the era of the minstrel show-whose contributions to American music were immense, in spite of the embarrassment we still feel at many of its images-vaudeville, ragtime, the revue; and the age of fully integrated book musicals launched by the 1927 production of Show Boat . With examples at the piano, Professor Messenger shows you the soundtrack of America - and for millions of us, the soundtrack of our lives. This insightful and sublimely enjoyable learning experience can forever change the way you experience musical theater.
1 of 1 copy available
1 of 1 copy available
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Creators
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Publisher
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Release date
September 17, 2006 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781682764046
- File size: 344530 KB
- Duration: 11:57:46
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Languages
- English
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Reviews
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AudioFile Magazine
Bravo! This is a fantastic audio course. In these 16 lectures on the history of the American musical, Bill Messenger blends a scholar's knowledge with a performer's understanding of the music--and a fan's love of the genre. His quiet, confident voice sounds like he's discussing the shows after you've both watched a good performance. He's as relaxed as if he were in your home, but only if it contains a piano--upon which Messenger tinkles out piano-only variations of many songs--as well as an immense library of original cast recordings to sample, and a few interviews on tape to boot. As he guides listeners from the early nineteenth century to the present, Messenger integrates everything from personal accounts of songs heard or performed to renditions of songs you've never heard because they come from a time before recording. This lecture series would have seemed short at twice the length. G.T.B. Winner of AudioFile Earphones Award (c) AudioFile 2007, Portland, Maine
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